Ivan Konstantinovich Aivazovsky

Steamer Returning Home
The Bay Of Yalta
The Black Sea
The Caucasus

The Caucasus

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The Lifeboat

The Lifeboat

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The Road To Gurzuf
The Survivor

The Survivor

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Two Ships At Sea
Ukrainian Landscape At Night
View Of The Amalfi Coast
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Ivan Konstantinovich Aivazovsky

Ivan Konstantinovich Aivazovsky

Ivan Konstantinovich Aivazovsky ( 1817-1900) 

Ivan Konstantinovich Aivazovsky (29 July 1817 – 2 May 1900) was a Russian Romantic painter who is considered one of the greatest masters of marine art. Baptized as Hovhannes Aivazian, he was born into an Armenian family in the Black Sea port of Feodosia in Crimea and was mostly based there.


One of the most prominent Russian artists of his time, Aivazovsky was also popular outside Russia. He held numerous solo exhibitions in Europe and the United States. During his almost 60-year career, he created around 6,000 paintings, making him one of the most prolific artists of his time. The vast majority of his works are seascapes, but he often depicted battle scenes, Armenian themes, and portraiture. Most of Aivazovsky's works are kept in Russian, Ukrainian and Armenian museums as well as private collections. He rarely drew dry-landscapes and created only a handful of portraits. According to Rosa Newmarch Aivazovsky "never painted his pictures from nature, always from memory, and far away from the seaboard." Rogachevsky wrote that "His artistic memory was legendary. He was able to reproduce what he had seen only for a very short time, without even drawing preliminary sketches." Bolton praised "his ability to convey the effect of moving water and of reflected sun and moonlight."


Ivan Aivazovsky is one of the few Russian artists to achieve wide recognition during their lifetime. Today, he is considered as one of the most prominent marine artists of the 19th century, and, overall, one of the greatest marine artists in Russia and the world. Aivazovsky was also one of the few Russian artists to become famous outside Russia. In 1898, Munsey's Magazine wrote that Aivazovsky is "better known to the world at large than any other artist of his nationality, with the exception of the sensational Verestchagin". Although according to art historian Janet Whitmore he is relatively unknown in the west. Art historian Rosalind Polly Blakesley noted in a 2003 book review that Aivazovsky has not been incorporated into the mainstream Western history of art.


Aivazovsky's house in Feodosia, where he had founded an art museum in 1880, is open to this day as the Aivazovsky National Art Gallery. It remains a central attraction in the city and holds the world's largest collections of Aivazovsky paintings. A statue of the artist is erected in front of the it.


Aivazovsky's paintings began appearing in auctions (mostly in London) in the early 2000s. Many of his works are being bought by Russian oligarchs. His works have risen steadily in auction value. In November 2004, his Saint Isaac's Cathedral On A Frosty Day, a rare cityscape, sold for around £1 million ($2.1 million). In 2007, his painting American Shipping off the Rock of Gibraltar auctioned at £2.71 million, "more than four times its top estimate". It was, "the highest price paid at auction for Aivazovsky" at the time. In April 2012, his 1856 work View of Constantinople and the Bosphorus was sold at Sotheby's for a record $5.2 million (£3.2 million), a tenfold increase since it was last at an auction in 1995.