Charles Caryl Coleman

Charles Caryl Coleman (April 25, 1840, Buffalo, New York – December 5, 1928, Capri, Italy) was an American artist.

Coleman was born in Buffalo, New York to John Hull Coleman (1813) and Charlotte Augusta (née Caryl) Coleman. He was raised in Buffalo and studied art under William Holbrook Beard"and an itinerant painter, Andrew Andrews whose real name was Isaacs."

Between 1859 and 1862, Coleman studied in Paris under Thomas Couture, returning during the American Civil War to serve with the Union Army during which he was seriously wounded in South Carolina and recovered in New York city. He returned to Europe in 1866 with fellow painters William Morris Hunt and Elihu Vedder. In 1865, he was elected into the National Academy of Design as an Associate Academician.

From 1863 to 1866, Coleman maintained a studio in New York. It was first at 840 and later at 896 Broadway. He regularly showed his work in the exhibitions of the Brooklyn Art Academy and the National Academy of Design in New York.

In 1866, he left America again and spent time painting in London, Paris, and Brittany. He then moved to a Roman apartment previously occupied by poet John Keats, living there from the late 1860s to the mid 1880s, before finally settling in Capri.

Coleman's decorative panels constitute his greatest contributions to nineteenth-century art. These paintings, which represent attenuated branches of flowering fruit trees or azaleas, can be compared only to the oversized stained glass panels of John La Farge and Louis Comfort Tiffany. Embodying all of the characteristics of the international aesthetic movement, they also depict Japanese fans, Chinese pots, maiolica vases, Venetian vases, Islamic tapestries, and Indian textiles.

In 1893, Coleman returned to the United States briefly. While there, he was commissioned to paint and decorate the interiors of the New-York State Building at the Chicago World's Fair, along with fellow artists Frank D. Millet and Elmer E. Garnsey.

In 1899, Avery Galleries at 368 Fifth Avenue in New York held an exhibition with forty of his pictures and drawings. Another was held there in 1902, featuring over fifty paintings and pastels made by Coleman. The place of honor was given to his contribution to the 1901 Pan-American Exposition, held in his hometown of Buffalo, titled Saintly Dreams by Early Moonlight. It was a saint with a solid golden halo, flowing black hair, a red gown, and a branch of red roses on her lap. The New York Timesstated that she "seems to have felt the languor and bewitchment of a Capri moonlight. She lounges on a white-tiled bench between round stucco columns, flowering shrubs in pots before her, and above her head a lattice running from pillar to pillar. Strong shadows fall about her from the moonlight, leaving her head in the shade."